身为理工大龄单身男博士，他意外穿越至古代。凭借扎实的数理知识，他破解生活难题，改良工具，在陌生环境中站稳脚跟。从最初的茫然无措，到逐步崭露头角，用现代智慧打破时代局限，于动荡或平凡的古代社会中，走出一条属于自己的崛起之路，改写人生轨迹。

方盈(陳詠薇)、喬莊(章凌風)、岳華(余亞南)、王俠(章凌宵)、井莉(章凌雲)、嚴俊(章一偉)、白琳(綠綠)、歐陽莎菲(章母朱舜涓)、高寶樹(薇母許潔君)、田琛、雷鳴(山地小學校長韋白)、黃楓、顧文宗、李麗華、操帑(童星)(秀荷)、鄭文芳(秀枝)、劉棻(薇父)

方盈(陳詠薇)、喬莊(章凌風)、岳華(余亞南)、王俠(章凌宵)、井莉(章凌雲)、嚴俊(章一偉)、白琳(綠綠)、歐陽莎菲(章母朱舜涓)、高寶樹(薇母許潔君)、田琛、雷鳴(山地小學校長韋白)、黃楓、顧文宗、李麗華、操帑(童星)(秀荷)、鄭文芳(秀枝)、劉棻(薇父)

翠松拉姆是个十九岁的高中生，马上就要考大学了。母亲突然去世，留下她和还在上初中的弟弟两人。何去何从，她面临艰难的抉择。这部纪录电影之前在美国哥伦比亚大学，华盛顿大学，弗吉尼亚大学等学院进行学术术性放映交流时，获得了巨大的反响。2016广西民族志影展颁奖盛典上，藏族导演西德尼玛作品《翠松拉姆》荣获主展映单元最佳影片奖。评委会给西德尼玛的颁奖词是： “《翠松拉姆》是一部非常美丽的影片，除了在影片结尾有低调的采访，电影没有其他的采访部分。我们听到女孩子的声音，仿佛她在写自己的日记，她在向自己倾诉。电影低调，朴素的风格堪称典范。摄影水平很高，剪辑是经过思考的。电影风格统一，为我们展示了一部宏大的诗篇。”

Anne Trister follows director Léa Pool's route in life from youth in French speaking Switzerland to adulthood in Quebec in Canada. The film deals with issues of child abuse and bi-sexuality as well as the quest to find roots. 　　Art student Anne Trister has, like Lea Pool, a Jewish father and a gentile mother. Her father's death is what moves her to leave school and her lover in Switzerland behind and travel to Montreal in Canada for the last rites. 　　She stays with an older friend Alix, a child psychiatrist absorbed by the case of an abused little girl. Alix tries to help Anne to relate to her Jewish roots by telling her about a trip to the desert she once made. Anne is fascinated by the story and by Alix and falls in love with her. 　　In the meantime she expresses her feelings in art by creating a fantastic mural of the desert on the walls of a studio lent to her by one of her father's old friends. 　　However, Alix chooses for a man in her life and disturbed by her rejection Anne falls from scaffolding in her studio. When she comes to in hospital her studio and with it her dream world has been torn down. Now she must face reality and be free. 　　In the closing shots Alix receives a parcel containing a handful of sand and a short film of Anne in the desert. 　　The soundtrack prominently features a chanson by Danielle Messiah (De la main gauche) that lends the film much of its mood.

晴朗明媚的港口码头，饥肠辘辘的大傻猫希尔维斯特（梅尔•布兰克 Mel Blanc 配音）正翻检建筑物旁的垃圾桶，寻找可以果腹的残羹冷炙，可是里面都是一些臭鱼烂虾，令人难以下咽。希尔维斯特百般惆怅，兀自坐在海边的木桩上发愁。它的身旁是一艘硕大的远洋邮轮，邮轮正随着海水上下起伏。突然，希尔维斯特发现某个舷窗内有一只金丝雀，那是可爱的小崔弟（梅尔•布兰克 Mel Blanc 配音）。大傻猫欣喜过望，它试图钻进舷窗，却被崔弟硬生生地拍下海去。 　　美食在前，怎可轻易错过，百折不挠的大傻猫终于登上邮轮，向崔弟发起了连番攻击……

Anne Trister follows director Léa Pool's route in life from youth in French speaking Switzerland to adulthood in Quebec in Canada. The film deals with issues of child abuse and bi-sexuality as well as the quest to find roots. 　　Art student Anne Trister has, like Lea Pool, a Jewish father and a gentile mother. Her father's death is what moves her to leave school and her lover in Switzerland behind and travel to Montreal in Canada for the last rites. 　　She stays with an older friend Alix, a child psychiatrist absorbed by the case of an abused little girl. Alix tries to help Anne to relate to her Jewish roots by telling her about a trip to the desert she once made. Anne is fascinated by the story and by Alix and falls in love with her. 　　In the meantime she expresses her feelings in art by creating a fantastic mural of the desert on the walls of a studio lent to her by one of her father's old friends. 　　However, Alix chooses for a man in her life and disturbed by her rejection Anne falls from scaffolding in her studio. When she comes to in hospital her studio and with it her dream world has been torn down. Now she must face reality and be free. 　　In the closing shots Alix receives a parcel containing a handful of sand and a short film of Anne in the desert. 　　The soundtrack prominently features a chanson by Danielle Messiah (De la main gauche) that lends the film much of its mood.

翠松拉姆是个十九岁的高中生，马上就要考大学了。母亲突然去世，留下她和还在上初中的弟弟两人。何去何从，她面临艰难的抉择。这部纪录电影之前在美国哥伦比亚大学，华盛顿大学，弗吉尼亚大学等学院进行学术术性放映交流时，获得了巨大的反响。2016广西民族志影展颁奖盛典上，藏族导演西德尼玛作品《翠松拉姆》荣获主展映单元最佳影片奖。评委会给西德尼玛的颁奖词是： “《翠松拉姆》是一部非常美丽的影片，除了在影片结尾有低调的采访，电影没有其他的采访部分。我们听到女孩子的声音，仿佛她在写自己的日记，她在向自己倾诉。电影低调，朴素的风格堪称典范。摄影水平很高，剪辑是经过思考的。电影风格统一，为我们展示了一部宏大的诗篇。”

伊莉迪亞被委派到一家當代藝廊，負責某場表演藝術展覽的清潔工作。展覽當天，藝術家有的裝扮成傢俱任人使用，有的在乳牛面前爆吃牛肉堡，而參觀的觀眾則拍手叫好。伊莉迪亞能否在困惑之餘，安然度過這詭異的一天？導演以喜劇手法諷刺藝術圈，然而老百姓所見的荒誕，或許就是藝術圈的日常。

伊莉迪亞被委派到一家當代藝廊，負責某場表演藝術展覽的清潔工作。展覽當天，藝術家有的裝扮成傢俱任人使用，有的在乳牛面前爆吃牛肉堡，而參觀的觀眾則拍手叫好。伊莉迪亞能否在困惑之餘，安然度過這詭異的一天？導演以喜劇手法諷刺藝術圈，然而老百姓所見的荒誕，或許就是藝術圈的日常。